Today sees the publication of the new Bryant and May novel by Christopher Fowler. Bryant and May: The Burning Man, has the ageing crimefighting duo up against a serial killer with a ‘break the banks’ agenda. The city of London is in turmoil. Another bank has fallen, and another banker is set to walk away; free to spend his creamed off millions. Demonstrators take to the streets and, in the chaos, a homeless man is killed by a Molotov cocktail. Enter Bryant and May.
If you have never read a Bryant and May novel before, then you have a treat in store. There are eleven preceding novels, including The Water Room, which is one of my all time favourite crime books. Fowler weaves mesmerising tales, filled with folklore and London history. They are fascinating in both content and plot. His latest instalment promises to be an incendiary mystery, invoking the spirit of revolution and Guy Fawkes.
The release of The Burning Man, makes it a glorious dozen for Bryant and May, and to celebrate Christopher Fowler has taken time to answer a few questions.
What book(s) are you reading at the moment?
Thanks to an e-reader I usually have around 4 books on the go at once. At the moment I’m reading Graham Joyce’s ‘The Year Of The Ladybird’, Christopher Priest’s ‘The Adjacent’, Mohsin Hamid’s ‘How To Get Filthy Rich In Rising Asia’, and ‘Vainglory’ by Ronald Firbank, a ‘missing’ novel which has gone straight to e-print.
Which new(ish) writer have you most enjoyed reading recently?
I love Warren Ellis’s forays into crime, and I’ve just discovered Jim Shepard, an amazing US short story writer who should be better known. I’m rather shocked that I’m not reading many new women writers – much of what I choose is from recommendations, and one growing problem is that the gender divide is being courted by publishers so that it’s assumed women only write for women. Thank God, then, for Hilary Mantel, and for crime writers like Val McDermid and Laura Wilson.
‘Desert Island’ films, plays and/or music?
Where to start? Comfort movies like ‘Hair’ and ‘Aliens’ and ‘It’s A Mad, Mad, Mad, Mad World’ (I explain the reason for that last one in my memoir ‘Paperboy’). I am also the only person in the world who loves Ken Russell’s ‘The Boy Friend’. Plays; Sondheim for wordplay, Charles Wood and Peter Barnes for muscularity of writing, but more recently ‘The Curious Incident of the Dog in the Night-Time’, ‘Mathilda’ and ‘Jerusalem’. Music is insanely eclectic – I have a passion for film soundtracks that borders mental illness, but this morning I was playing Richard Strauss and German jazz funk band De-Phazz. I love minimalists like Michael Nyman and Wim Mertens. And hard house.
A favourite bookshop?
I love my two nearest shops, Foyles in St Pancras and Watermark in King’s Cross. And of course, Forbidden Planet – I’ve been shopping with them since they were just a market stall in Soho’s Berwick Street.
Who or what makes you laugh?
I love very English language-play; Monty Python, Galton & Simpson, Joe Orton, Al Murray, Stewart Lee, Viz, PG Wodehouse, the Ealing Comedies, ‘The Thick Of It’, The Grand Budapest Hotel..
What depresses you most about contemporary Britain?
The gap between rich and poor, which keeps kids uneducated, and the lunacy of television which happily fills children’s heads with unrealistic dreams. People working at TV companies should ask themselves if they’re contributing anything to society instead of shrieking at each other over Soho House drinks. Every era gets the cons it deserves, and our children deserve something better than the Kardashians.
What excites you most about contemporary Britain?
I live in King’s Cross, possible the most polyglot place in the planet, and it’s thrilling just to walk through crowds. I have no truck with the Little England mentality and – from a purely aesthetic point of view – prefer the muezzin’s call to prayer more than church bells on a Sunday. I’ll get punched for saying that.
What single thing would improve the quality of your life?
Better eyesight and a faster reading speed. I’ve always been a slow reader, and have always suffered from eye-strain. In a way it’s probably what made me a writer – every Friday my mother had to take me to Moorfields Eye Hospital and as a treat we would visit a museum or bookshop afterwards.
The beauty of London, and the Bryant and May novels, is how the old lies side by side with the new. In the ten+ years since Full Dark House, how much has London changed? How has the city in which Bryant and May operate changed since the recession and the government’s introduction of austerity measures?
I try to be upbeat about the Mayor’s transformation of London into an oligarch moneypit, but sometimes it’s hard. After more cyclists were maimed on London roads last month, the half-hearted new cycle lanes that peter out after a few metres, forcing riders into traffic, feel symptomatic of what happens when government planners step in to change life here. Incredibly, the pace of change seems to be getting even faster. London has always been in flux, but change was largely driven from within. Now it is due to international market forces. Mercifully, the city no longer makes its money from children working in factories, dying of mercuric poisoning so toxic that their skeletons turned green. Now it’s the impossible-to-comprehend world of money-moving. It seems to me that the result of being driven by outside money movement is that it’s now hard to tell why anything at all happens here. Why does a presumably listed building vanish? Why are services suddenly withdrawn? Why are trees removed and emissions limits not met? Is it simply all down to chance now? For a city so well-connected, hard information is scarce. We are now at the mercy of random forces. We can only grab London’s coattails now and hang on.
I have just finished The Burning Man, and to borrow from a trend popular in the world of cinema, the answer to that final question is something of a teaser trailer. It’s highly illuminating in retrospect. Many thanks to Christopher for taking time to answer those questions for me, and thank you to you for reading.
Bryant and May: the Burning Man is out today (26th March), and my full review will be available from tomorrow.