Rebecca Levene’s The Hunter’s Kind was my most hotly anticipated book of 2015. It’s the direct sequel to 2014’s excellent Smiler’s Fair and the second book in The Hollow Gods series. If you haven’t read Smiler’s Fair you should stop reading this review now.
The problem with hotly anticipated titles is that sometimes there is tendency to over-inflate in your mind just how good they are going to be. It doesn’t help that my memory is not what it used to be. I remembered that the end of Smiler’s Fair is brilliant, and that it has an amazing cliff-hanger leaving me desperate to read more, but one year on, could I remember what that cliff-hanger was? I could not.
The start of The Hunter’s Kind gave no clues either. There appears to be nothing cliff-hanger resolving in the opening hundred pages, and I must confess, I struggled a little to remember what I’d got so excited about. The summer of 2015 has been tumultuous here in the house of Brooks, and my reading has been fragmented and distracted. I’ve found it very hard to force my way into anything. And so it was with The Hunter’s Kind.
I felt like I was going through the motions. I couldn’t get on with the characters like I had in Smiler’s Fair, yet they were the same characters. What was going on? It was only on finishing I was able to work it out. Levene has pulled the street-artist trick of drawing a picture that is apparently formless right up until the final few touches are made, at which point all is revealed. The audience can only stand back and say, “Woah! That’s awesome.” Because it is. The novel slow burns to a white hot conclusion.
The Hollow Gods, so far, is a genesis story; that of Krish as he wrestles with taking on the mantle of the Moon God, Yron. In truth it’s a rebirth rather than a genesis. Yron was killed a thousand years earlier, by Sun God Mizhara, who, horrified by the destruction she wrought in defeating her brother, subsequently ceased to exist. She left behind her followers, and he his. We now watch as the two sides react to Yron’s return. It’s the same with the novel’s other characters. Unlike most fantasy novels, where the central players are the agents of change, In The Hunter’s Kind we have a rapidly changing world with the characters reacting to those changes.
The book contains a sizeable ensemble cast and the narrative jumps between points of view. No one thread picks up a head of steam until towards the novel’s end when all sorts of interesting things start happening. There are a number of political plotlines, which didn’t engage me quite so much. I had started to question whether they could have been cut from the book entirely, until the very end, when it becomes apparent that all that has gone before has bearing on the characters’ actions as they react to the novel’s epic final scenes.
Once again Levene has created a story that takes place in a fully credible world, a feat rare for fantasy novels. Apart from the obvious differences in technology and magic, Levene’s world is one in which real humans might live. There are no absolutes, merely points of view. Krish has most of the world trying to kill him, but he is not evil. He’s just a young man trying to understand why most of the world wants to kill him. He’s told that he is a god, but what does that mean?
Krish tries to do good, but nothing works out the way he expects it to. Levene captures brilliantly the downfall of many leaders and statesmen – The law of unintended consequences. That’s how the real world works; try to make one thing better, you often make something else worse. Usually, with hindsight, a something that ought to have been obvious. These sorts of consequences are rare in fantasy fiction though. Most novels are simple cause and effect; destroy the ring, save the world. Levene has created something more subtle, complex and, above all, human.
I didn’t quite enjoy The Hunter’s Kind as much as Smiler’s Fair, but I read the closing chapters of both with the same sense of awe. Levene is creating something I’ve not really encountered in fantasy fiction before, a story that is unfolding to create a credible history. The novel works on both the personal level of the characters but also as the unfolding of myth. This volume hasn’t left me hanging quite like the end of book 1, but there are revelations aplenty before the end. Answers are given, but just as many questions are posed. I’m fascinated to find out how the ages-old battle between Yron and Mizhara will unfold, and more, how it’s going to affect the series’ central players. The Hollow Gods is settling down into something very special, and once again I am left hankering for more.
Many Thanks to Anne and the team at Hodderscape for sending me a copy of this book.